For me, it is musically interesting that paintings exist on a canvas with borders. A piece of music unfolds in time and ends in silence. A painting is continually in the present, unaffected by time, yet it is always in the process of ending at each edge of the canvas. A painting, if rectangular, has four endings. It may have a frame around it, which further complicates the concept of endings. Certainly the wall around the frame is an overwhelming irrelevance that must be blocked out by the viewer, like extraneous sounds during a concert. Endings in the visual arts and music can suggest varying degrees of completeness: a smooth sculpture that leaves some part of stone in its natural confusion; a painting that allows drips and patches of naked canvas; or a piece of music that vanishes without a conclusive cadence, fades out while repeating or slides into silence.
-- Bruce Adolphe Of Mozart, Parrots and Cherry Blossoms in the Wind
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