From somewhere near the well we
heard singing, voice an unheard-of
porridge, capsicum and roux,
"Shadow
mouth," it lamented, "shook my tree."
More than could be carried we caught,
were whisked away by, movement the
one mooring we knew. Eyes tightly
shut, one tear squeezed out by the
impending end, what we wanted
was to
endlessly verge on exit, angling
out, tangent to circle's edge, on
our way where we'd be the last to
say . . . Let all edges converge, it
seemed
we said, cut away would-be end. Shell's
edge, knife's edge, pearl we'd be
prompted by, refugees from where
likewise last to say . . . It wasn't
wander what we did, we circled. Frayed
at its
edge though it was, wheel of soul, verge
we were driven by . . . Verge that we wanted
verge was the song we sang had there been a
song we sang. No song left our lips.
Nonsonant, we rounded circle's edge,
nonsonant ring shout, verge our muse
and mount. Verge that we wanted verge
we bordered on singing. No song left
our lips. It wasn't sing what we did,
we
circled. Song was the porridge voice's
privilege. "Shadow mouth," it repeated,
"shook
my tree . . . " Sparks rose near the well, an
extinguished fire, hung like a signal
or a sign of moving on, a symbol, some
said, showing forth . . . "Post-ecstatic"
was
a word we heard, "copacetic" a word we
heard, "After ecstasy what?" a question
posed in smoke . . . it wasn't smolder what we
did, we burned wanting verge, verge
riding
our legs, we
bore thru
-- Nathaniel Mackey, lines from "Song of the Andoumboulou: 50"
Nathaniel Mackey
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