One does not paint yesterday, one does not even paint today, one paints tomorrow, one paints what will be, one paints 'the imminence of.'
And to do that, letting go of all ties, one flings oneself beyond the ego. This is perhaps the greatest lesson painting gives us: flinging oneself beyond the ego. For the ego is the last root preventing flight. Or the last anchor. One has to unfasten oneself the best one can, with a snap, or by slowly filing away the soul-ring of lead.
I imagine it's easier for a landscape painter than for a writer to get free; the charm of the visible world is so powerful. At times, the painter's ego is no more attached than a milk tooth. A pull, and straight away, with a leap, in the middle of creation. We are born together. It's raining. We know nothing. We are part of everything.
-- Hélène Cixous "The Last Painting or the Portrait of God" Coming to Writing
Tr. Sarah Cornell, Susan Sellers and Deborah Jenson
Hélène Cixous
A portion of this essay can be read online here
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