The beautiful appearance of the dream-worlds, in creating which every man is a perfect artist, is the prerequisite of all plastic art, and in fact, as we shall see, of an important part of poetry also. In our dreams we delight in the immediate apprehension of form; all forms speak to us; none are unimportant, none are superfluous. But, when this dream-reality is most intense, we also have, glimmering through it, the sensation of its appearance . . . And it is not only the agreeable and friendly pictures that he experiences in himself with such perfect understanding: but the serious, the troubled, the sad, the gloomy, the sudden restraints, the tricks of fate, the uneasy presentiments, in short, the whole Divine Comedy of life, and the Inferno, also pass before him, not like mere shadows on the wall—for in these scenes he lives and suffers—and yet not without that fleeting sensation of appearance. And perhaps many will, like myself, recall that amid the dangers and terrors of dream-life they would at times, cry out in self-encouragement, and not without success: "It is only a dream! I will dream on!"
-- Friedrich Wilhelm Nietzsche The Birth of Tragedy
Translated by Clifton P. Fadiman
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