That summer I looked and looked as I had not done for years at the green of the chestnut trees and the ochre of walls, broken by patches of blue and cold grey. I was fascinated by the contrast between opaque surfaces of light, where sunlight is clotted on leaves or flesh, and the transparent darkness of shadows like brown and green glass pools, through whose coldness I could look deeply on to still darker shadows like rocks—the foundations and anchors of the opaque surfaces of light flying like kites in the sun.
-- Stephen Spender World Within World
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