tell me, is it the fog or is it me?
show a country, speak of a culture, in whatever way,
and you'll enter into fiction while yearning for invisibility
Rituals
and the formation of identity
the skill of behaviour, the craft of framing time, the art of paths
why travel, I would say, if not to be in touch with the ordinary in non-ordinary ways; to feel and think ordinarily while experiencing what can later become the extra-ordinary in an ordinary frame
start in a room sealed with darkness
and a door or a window immediately etches itself onto the viewer's mind
again, it's that unbearable fellow
traveller who won't stay behind,
whom one cannot get rid of
opening at dawn, closing at dusk
sorrows forming and falling away
heavy
like drops of water from a lotus leaf
every day from a blossoming lotus
something's emerging
every day from deep in the mud
someone's being reborn
nothing is natural, for the natural in its most natural is carefully created
in the matted room
a solitary painting
barely line, barely shape
that frail shadow
of a bodhisattva
shading its human frame
-- Trinh T. Minh-ha, excerpts from The Fourth Dimension
Trinh T. Minh-ha
about The Fourth Dimension
Today’s AJ Highlights
6 hours ago