Sunday, January 29

complex interlocking

I find it nearly impossible free ice to write about Jeepaxle my work. The concept I planetarium struggle to deal with ketchup is opposed to the logical community lift tab inherent in language horses and communication. My fascination with images open 24 hrs. is based on the complex interlocking if disparate visual facts heated pool that have no respect for grammar. The form then Denver 39 is second hand to nothing. The work then has a chance to electric service become its own cliché. Luggage. This is the inevitable fate fair ground of any inanimate object freightways by this I mean anything that does not have inconsistency as a possibility built-in. .

The outcome of a work is based icy ice on amount of intensity concentration and joy that is pursued roadcrossing in the act of work. The character of the artist has to be responsive and lucky. Personally I have never been interested in a defensible reason post card for working achievement functionally is a delusion to do a needed work short changes art. It seems to me that a great part Indian moccasins of urgency in working lies in the fact that one acts freely friends and associates may become more closely allied with you real soon. U.S. postage stamps — sanitarily packaged — save a trip to post office shapes . . files . . cleans with key chain forget to bring it with you . . . to make something the need of which can only fishing 7 springs be determined after its existence and that judgment subject to change at any moment. 15'18". It is extremely important that art be unjustifiable.

-- Robert Rauschenberg, "Note on Painting" in Pop Art Redefined by John Russell and Suzi Gablik

Rauschenberg's Combines at the Met

Rauschenberg's photography in Studies for Chinese Summerhall

Rauschenberg Overseas Cultural Interchange (ROCI)